Press kit
Afterlight
The concert diary that never phones home.
One paragraph
Afterlight is a diary for live music — Letterboxd for concerts, but quieter. Log the shows you've been to in ten seconds: scan the ticket, search the real setlist, or type from memory. The diary is local-first: it works in airplane mode in the pit, requires no account, and your data is exportable anytime. An optional social layer (claim a username — no email, no password) shows friends' nights and the ones you shared. Visually it's gig-poster modernism — a Factory Records sleeve as an app: true black, FAC blue, Swiss type.
Why it exists
Streaming has a memory; live music doesn't. The nights that actually shaped your taste live in a shoebox of stubs and a camera roll you never open. Afterlight gives them a spine — without gamification, engagement mechanics, ads, or tracking. Restraint is the feature, and privacy is architectural, not a policy.
Built by a working musician in the New Zealand scene, seeded show-by-show from the merch table.
Fact sheet
- Name — Afterlight: Concert Diary
- Platform — iOS (iPhone)
- Price — Free
- Launch — June 2026
- Developer — ninetynine.digital, Auckland, New Zealand
- App Store — listing opens after Apple approval
- Tech — Live Activities, WidgetKit, on-device Vision OCR, MusicKit
- Contact — afterlight@ninetynine.digital
Assets
Free to use in coverage of Afterlight.
Boilerplate
ninetynine.digital is an independent software studio in Auckland, New Zealand, making quiet, well-made apps. Afterlight is its concert diary: true black, one blue, no feeds demanding attention.